Created on 13 October 1997.
Last modified on 5 August 2000.
Illusions Involving Ambiguity Resolution
The principal function of human perception is to ascertain the nature
of the surrounding world. The brain deals with the complexity of that
world by selecting from a limited set of possible interpretations the one
that best fits the available sensory evidence. It is able to compare
the evidence collected by the visual and auditory systems with a number
of candidates at a fairly low level, and to automatically select the
best fit.
It is interesting to observe how the brain selects between two or
more possible interpretations when there is insufficient information
available to correctly distinguish between them. In some cases the
choice is arbitrary, and in others is determined in a more systematic
fashion. The illusions in this tour all share the characteristic of
having some element of ambiguity that the brain must resolve in some
fashion.
- Equiluminance and apparent motion
- This illusion examines automatic colour associations. It uses
the similarity between two pairs of colours to create an illusion of
motion. The interactive demonstration allows you to adjust the
colours in such a way that the pair-wise colour association can be
reversed. In that case, the motion appears to reverse as well. When
the colours are adjusted such that the it is unclear which colour
pairs with which, the illusion of motion breaks down.
- Necker Cube and depth cues
- This illusion uses an orthographic projection to display a wire-frame
cube in such a way that there is no way to determine which corner
of the cube is closer. As you focus on different corners, the
orientation of the cube appears to change as your brain jumps from
one conclusion to another. The cube can be animated, spinning
around a vertical axis, which tends to strengthen the illusion
considerably.
- Shepard's Tones
- This is a very striking auditory illusion in which a series of
tones appears to continually ascend in pitch. After a while,
however, it becomes apparent that the tones have remained
within the same fairly small range of pitches. The tones are
carefully crafted in a way that it is difficult to distinguish
the relative pitch of any pair. The illusion of ascending
tones comes about because the tones are played in an order that
permits two interpretations: a rise in pitch of one semitone, or
a fall in pitch of eleven semitones. The auditory system naturally
picks the shorter distance.
- Tritone Paradox
- This illusion is a variation of Shepard's Tones in which
two tones, evenly spaced within an octave, are played in
alternation. Whereas the choice in the Shepard's Tones
illusion is between an increase of one semitone or a decrease of
eleven, the choice here is between an increase or decrease of six
semitones. This presents an ambiguity that cannot be resolved
correctly based on the auditory evidence alone (except by those with
very sensitive hearing). It is interesting to see how different
individuals resolve the ambiguity in a somewhat systematic way, in
contrast to the relatively arbitrary way in which the ambiguity of
orientation in the Necker Cube illusion is resolved.