Others, like Quasar Khan's inflatable zebra pattern armchair of 1968, remain unadulterated kitsch and enjoyable low-grade fun. 
But then, as Nigel Whiteley writes in the excellent illustrated catalogue that accompanies the show: `By the early 1970s there were two distinctive aesthetics for plastic, one <tag "515648">deriving</> from the Modernist principle of truth to materials and respecting the Modernist `less is more" aesthetic; the other a symptom of Pop sensibility which subverted principles and conventions of `good taste" in favour of impact and novelty."   

