Those {deadGuys} probably owe something of their warmth to Keats: Colvin had particularly admired the `warmed jewels" that Madeline unclasps on the Eve of St. Agnes. 
Even so, in this one stanza alone, the Samianjars {deadGuys}, {deadGuys}, the bracelets, and the spears `unblunted yet" all reveal an intensity of sensuous perception uncommon in so young a poet. 
The reference to `Vesuvius' qualm" <tag "515648">derives</> from his reading of E. L. Bulwer's The Last Days of Pompeii, perhaps in January 1909 when he wrote a lurid school essay on the subject of `Earthquakes".   

